MASKED intruders look sinister but really they are a gang of urban exploring pranksters. Using make-up, special effects and light-painting techniques two urban explorers and their partners in grime have travelled around the best of British abandoned site to capture off-radar locations at their most spooky. The creepy photographs were taken by film maker and visual effects artist David Broad, and his partner Julie Kendall, after being gripped by the urban exploration world. 'Julie and I went for a walk one day and saw a sign that read 'danger keep out this is not a playground', well this was like a red flag to a bull and we had to see,' said David
HOTSPOT MEDIA - MILEY MASH-UP: MILEY CYRUS’ naked wrecking ball vid has been lampooned in this side-spitting photo-mashup .
Peering curiously into a basket hanging off the arms of a snowman, this little squirrel appears fascinated by the snowy figure .
COULD this be the most distastrous wedding cake fail EVER? Most brides opt for a traditional tiered white wedding cake decorated with delicate pink roses and lace for their big day .
WITH A LITTLE cap of fresh snow resting on his head, this squirrel tries his best to pull off his new look .
Scurrying along the branch of a tree, a little squirrel pushes a pram packed full of Easter treats .
WELCOME to the drawing room that is home to the £100K world’s greatest collection of Margaret Thatcher autographed objects .
The lighthouses of Brittany, from Brest to Le Conquet, stand tall on France’s north-western coast against stunning scenery .
FLOATING effortlessly on his back, this little otter laps up a rare glimmer of English spring sunshine .
A British jewellery designer with a passion for London's iconic Gherkin has created a pen with an INK-REDIBLE price tag of £27,500 .
This was the chaotic scene when the driver of a 4x4 vehicle became periously trapped under his vehicle for an HOUR when it overturned after a crash on a busy motorway .
A curious red squirrel takes a break from collecting nuts and tries her hand at photography .
